Dantes Inferno :: essays research papers

The Divine comedy was a key element to the development of European literature. By writing the epic style poem in the vernacular, he enabled all people of general literacy (ie, the commoner) with the liberty to read his work of art. This was such a boundary event because scholars of the past had always written in Latin including deuce of the most influential people in his life, the epic poets Virgil and Homer. Latin was the language of the Roman Empire and the Catholic Church therefore no one ever thought Dantes use of the vernacular was capable of such poetic expression. From a mere literal perspective, The Divine Comedy can then be viewed as a pioneer in the defiance of Catholicism.Through the mere ennoble The Divine Comedy, one can further unearth many significant aspects of the poem. A true comedy refers to two classical modes of composition. The tragedy was the showtime of these styles where the plot flowed from a high andpleasant beginning to an extremely low and destructi ve conclusion. The second technique is a classic comedy where the plot elevates from demoralise beginning to an elevated and triumphant ending. In canto 1 it describes the 1st part of the journey vividly crossing the mtn. He keeps falling and cant quite grow it. When the book ends Dante has surpassed a great deal and had learned a lot from his journey.Dantes work is not solely dependent on either of the two styles rather it incorporates aspects of both approaches. Theplot of The Inferno mirrors a classic comedy for it progresses from the horrors of Hell to the joys of Heaven, nevertheless it is constantly presenting the reader with individual situations of tragedy. EX-alive b4 jesus(virgil,limbo),suicidesthose who are good, gays.The Divine Comedy is a truly universal work for it deals with the most significant question of humanity, the existence of an afterlife and the consequences of our lives on Earth. His convo w Virgil, Dante asks why we are here. this Dante was so footsure i n his abilities as a poet that he attempted to answer such questions through the voice of the vernacular.